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Grimaldi Montani
Nov 23, 2016
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I luoghi dell’immagine | Marco Grimaldi & Matteo Montani

Marco Grimaldi, an artist from Bergamo and Matteo Montani, a Roman artist, meet for the first time in the space of a gallery, through an intense dialogue in a common area of investigation, the painting as a "place of the image." Using different media, the sandpaper for Montani and the canvas of cotton for Grimaldi, both artists aim for a "making art" as a revelation of the epiphany of reality, landing to outcomes of diverse images but linked by the affinity of an introspective coding of reality. In the exhibition, a dozen of large and small works, and a site-specific installation of Montani....

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Julio Blancas
Nov 23, 2016
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back in black | julio blancas

Julio Blancas wanders, see things, reflects about nature and nourishes himself from different forms to create new landscapes. Working mostly exclusively with graphite, over different surfaces, Julio draws and draws with nature as the starting point, with the reference of a landscape that at the end of the process is consigned to a simple anecdote. His method is obstinate and simple: darkens the surfaces through the repetition of the essential graphic gesture, the line. A line always draw with graphite reflects accurately the different light gradations, and build forms born from opacity, from the total blackness, thanks to an exquisite organization of the established surface to make the reflection of the exterior light finish the work. Julio Blancas works with the arguments...

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Sadegh Tirafkan
Nov 23, 2016
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Human Tapestry | Sadegh Tirafkan

In his most recent work Tirafkan combines traditional carpet weaving with modern digital photography. He studies what it means to be Iranian today and how modern identity can be represented by the merging of past and present. His works focus on themes of Iranian traditions and religious rituals. Sadegh Tirafkan uses his cultural knowledge to explore his Persian identity. “From 2006 I have been focussing on population and its unbalanced distribution around the world within my works. I don’t only look at the topic from a political aspect but also and most importantly from an artist’s eye – an eye which originates from a thousand year old culture, rich with history and civilization. I have been trying to combine current events...

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